![]() photo by Jeanne Strongin |
Tony Schwartz MEDIA PIONEER, AUDIO DOCUMENTARIAN August 19, 1923 - June 15, 2008 |
Tony Schwartz in the Media...
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More on Tony Schwartz...
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Tony Schwartz, master of electronic media, created more than 20,000 radio and television spots for products, political candidates and non-profit public interest groups. Featured on programs by Bill Moyers, Phil Donahue and Sixty Minutes, among others, Schwartz has been described as a "media guru," a "media genius" and a "media muscleman." The tobacco industry even voluntarily stopped their advertising on radio and television after Schwartz's produced the first anti-smoking ad to ever appear (children dressing in their parents' clothing, in front of a mirror). The American Cancer Society credits this ad, and others that followed, with the tobacco industry's decision to go off the air, rather than compete with Schwartz's ad campaign.
Born in midtown Manhattan in 1923, a graduate of Peekskill High School (1941) and Pratt Institute (1944), Tony Schwartz had a unique philosophy of work: He only worked on projects that interested him, for whatever they could afford to pay.
For thirty one years (1945-1976) he created and produced a weekly radio program of people and sounds of New York on WNYC (AM & FM). For over 15 years he wrote a weekly column for Media Industry Newsletter (MIN).
When Marshall McLuhan met Tony Schwartz, he said he met "a disciple with twenty years prior experience!" Later, McLuhan and Schwartz shared the Schweitzer Chair at Fordham University.
For many years he was a Visiting Electronic professor at Harvard University's School of Public Health, teaching physicians how to use media to deal with public health problems. He also taught at New York University and Columbia and Emerson colleges. Because Schwartz was unable to travel distances, he delivered all out of town talks remotely. Schwartz was a frequent lecturer at universities and conferences, and gave presentations on six of the seven continents (not Antarctica). He was awarded honorary doctorates from John Jay, Emerson and Stonehill Colleges.
Designated the year's "Best Social Studies Teacher in the United States" because of a Sociological Communications course he taught to high school students, Schwartz explained, "I merely taught them how to document the life around them in sound and pictures."
"Documenting life in sound and pictures" is something Tony Schwartz begin in 1945, when he bought his first Webcor wire recorder and began to record the people and sounds around him. From this hobby developed one of the world's largest and most diverse collections of voices, both prominent and unknown, street sounds and music, a collection that resulted in nineteen phonograph albums for Folkways and Columbia Records.
Schwartz began to do commercials for national advertisers, in which he revolutionized the industry: he was the first ever use real children's voices in radio and television ads, as opposed to adults imitating children. From commercials involving children, he moved to general advertising, everything from Coke to airlines, political campaigns and public interest media -- every ten years, Schwartz's sphere of interest expanded to include new directions and new challenges, as well as continuing the old.
Credited with the single most effective and talked about ad ever produced, Tony Schwartz created the Daisy Ad, as it has become known, to highlight the dangers of nuclear arms. It was used by the Johnson campaign in 1964 to clearly illustrate his position on the use of nuclear weapons. Considering the extensive discussion that the ad has sparked, it is remarkable that the ad ran only once.
Schwartz created the media campaigns of over 200 candidates, including the winning 1976 presidential campaign of Jimmy Carter, the 1964 Johnson presidential election, the campaigns of Abe Ribicoff (Connecticut) and Daniel Moynihan (New York), and selected campaigns of Tom Foley (Washington state), Mike Gravel (Alaska), Bob Hattfield (West Virginia), Edward Kennedy (Massachusetts) Tom Lantos (California), Warren Rudman (New Hampshire) and Andrew Young (Georgia), to name but a few.
The entire body of Tony Schwartz's material is now housed in the archives of the Library of Congress. States Gerald Gibson, Curator and echoed by Daniel Boorstin, former Librarian of Congress, "Your collection...is truly phenomenal. Its scope, from political spots through documentation of speech development, commercials and interviews, to folk material, makes it one of the truly unique...collections...of mid-20th century thought and work yet put together. When one realizes that...your collection documents the work of one individual, its importance and usefulness to future research is almost unimaginable. It will enhance the Library's collection far beyond anything that I am honestly capable of perceiving!"
The photographer Edward Steichen has called Tony Schwartz the man "who moved sound recording into the realm of the arts." And the artist Ben Shahn told a friend, "Tell Tony, he's my kind of artist, hard boiled and beautiful!"
Awards and Honors:
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THE RESPONSIVE CHORD (1973 paperback) defines
the resonance principle in communications. Says McLuhan, "This book
is the only one...which even begins to approach the problem of human
scale in relation to electronic media. This is a totally untouched
field and Tony Schwartz has a monopoly in this area." [more info] |
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MEDIA: THE SECOND GOD (1983 paperback)
describes how media has changed our society and how to use it to
change our society. Of Schwartz, upon reading the book, Daniel
Patrick Moynihan said, "Who else could write more brilliantly
about media as a second god than one of the few human beings who has
learned how to use it and control it?!" [more info] |
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MEDIA: THE SECOND GOD (1981) Hardcover first edition copy. [more info] |
Licensing Schwartz's books.
Want to use parts of the books in a class or seminar you teach?
You can obtain rights online, easily and inexpensively, by clicking below...
| Title | Description |
|---|---|
| The New York Taxi Driver (Columbia) |
Conversations and stories recorded with taxi drivers while riding in their cabs during the 1950's and 60's. |
| That's My Opinion and it's Very True | More conversations with New York taxi drivers. |
| Nueva York (Folkways FP 58/2) |
A tape documentary about the migration of Puerto Rican people to New York City. |
| Music in the Streets (Folkways FD 5581) |
A documentary of the different outdoor musical environments in New York City. |
| French Folk Songs (Folkways FP 832) | |
| One, Two, Three and a Zing Zing Zing (Folkways FP 703) |
Street games and songs of the children of New York City. |
| Sounds of my City (Folkways) |
The stories, music and sounds of the people of New York. |
| A Dog's Life (Folkways) |
The sound of the first year of the life of a dog; all the people the dog meets and all the situations a dog goes through in his first year. |
| New York 19 (Folkways FP 58) |
A tape documentary of the non-commercial musical life in New York City's postal zone 19 during the 1940's and 50's. |
| The World in my Mailbox (Folkways) |
Tony exchanges wire and tape recordings with people from all over the world. |
| You're Stepping on my Shadow (Folkways FD 5582) |
Sound stories that were first presented on Tony Schwartz's WNYC morning radio program. |
| Millions of Musicians (Folkways FP 60) |
Examples of the innate musicality of speech and sound in everyday life. |
| Sound Effects Volume 1: City Sounds (Folkways) |
The sounds of different indoor and outdoor environments around the city of New York. |
| Exchange (Folkways FP62) |
Another version of "The World in my Mailbox. |
| Children and God | |
| The Sound of the Family of Man | A documentary of sounds, songs and games of people from all around the world; based on the concepts of Edward Steichen's book Family of Man. |
| The Sound of Children (Folkways FH 5583) |
Sound stories of individual children and groups of children. |
| Standing Here at the Present Time... | Sounds of New York City originally played as background to an exhibition of great photographs of New York City. |
| If He Asks You Was I Laughing | Private recordings of work songs and music of an oppressed minority in the United States. |
You can find Schwartz's Folkways recordings online for listening and purchase at Smithsonian Folkways.
In addition, they are available for digital download at MSN Music.
Some are also now available at the iTunes Store!
(90 minutes, color)
(75 minutes, color)
Contact InformationFor questions regarding Tony Schwartz's recordings or commercials, please contact the Recorded Sound Reference Center at the Library of Congress: (202) 707-3108 or . If you would like to leave a message about Tony Schwartz (or see what others have written), feel free to visit the Tony Schwartz Memorial Guestbook. For other inquiries, you may contact or . |
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